• Home
  • Log in
  • Recent comments

    • Mocmed on protractor
    • Mocmed on conté crayon and Conté Crayon
    • Mocmed on arms and armor or arms and armour
    • Funsip on RESALE ROYALTIES IN THE UNITED STATES FOR THE FINE VISUAL ARTISTS
    • Moira Hollamby on polyropylene
    • Crazyupload on Wunderkabinett and Wunderkammer
    • hoodia on Papers and Substrates
    • blogging to the bank on Sculpting Realistic Skin Texture

  • Categories

    • All
    • Art
      • Damage
      • Display
        • Exhibiting
      • Insurance
      • Investing
      • Law
    • Art as a business
    • Art Glossary/Definitions
    • Artist
    • Artists, their work and words
    • Background
    • Clay
    • Colored Pencils
    • Fun
      • In real life
        • Music
      • On the web
    • News
    • Pastels
    • Tech
      • Email
    • Video
    • Watercolor
    • Welcome
    • Working
      • General Pointers
      • Techniques
      • Working Clean
  • XML Feeds

    • RSS 2.0: Posts, Comments
    • Atom: Posts, Comments
    More on RSS

Papers and Substrates

By admin on Jul 22, 2010 | In General Pointers, Pastels | 1 feedback »

Papers and Substrates

All pastelists have their favourite papers. Of course, an acid-free paper is a must to preserve the image and the stability of the pigment on the surface. As artists we owe that to our customers.

Once that issue is taken care of though, it's a matter of tooth, or the actual surface of the a paper, we are most concerned with. Papers come in a range of colours, although again, it's a matter of preference and intent.

• If you tend to employ a more painterly approach to the use of pastel, the lightly sanded paper varieties are excellent. Kitty Wallis and Art Spectrum, for instance, hold more pigment and can take different treatments such as liquids and sprays. Pastelmat is a new paper from France with a satiny surface that surprisingly holds many layers just as well as the more familiar sanded supports; it can be worked wet, scraped and generally handled roughly as long as the moisture doesn't spread to the paper support.

• La Carte, with its beautiful velvet-like surface, holds the pigment well too, but will not suffer any liquids or spray.

• Jack Richeson & Co. offers a premium pastel surface available on three different substrates: Gator board, hardboard and heavyweight paper that has a 'toothy' finish. Pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer.

Rtistix and Uart are newer brands with sanded surfaces, solid backings and several degrees of fineness.

• Canson and Strathmore series are good papers to work with as well and can tolerate small whispers of sprays. They work quite well for vignettes and drawing in pastel.

• Watercolour paper (300 lb arches cold press) is a sturdy paper that can really take a beating and still come up looking great. You can start off with watercolour media for the underground painting and finish off with dry pastel on the surface. You can even make big changes right up to the final layer and take advantage of the undercolour when applying the final layer of pastel. A word of warning though — the tooth of the paper is wide and shallow and can support only a few layers of pastel.

1 comment

Comment from: hoodia [Visitor] · http://www.hoodimax.com
Hey mate, greetz from Canada !
07/25/10 @ 10:56

XML Feed Comment feed for this post

Leave a comment


Your email address will not be revealed on this site.

Your URL will be displayed.
PoorExcellent
(Line breaks become <br />)
(Name, email & website)
(Allow users to contact you through a message form (your email will not be revealed.)
This is a captcha-picture. It is used to prevent mass-access by robots.
Please enter the characters from the image above. (case insensitive)
« m or m.luting »
  • Search


  •   Art Glossary

    with over 3000 terms and still growing

    A B C D E
    F G H I J
    K L M N O
    P Q R S T
    U V W  X Y
    Z        

  • Links

    • Illustrations and cartoons by Anton Emdin
    • Colour Explorations
    • Pastel Artists Canada
powered by b2evolution

©2012 by Kenneth Ezelle | Contact | evoCamp skin | Credits: Blog Design | PHP framework | vps | François